Mushtabik is not just about art; it is a radical rethinking of how we engage with the world and the struggles within it. It calls on artists and audiences to do more than watch—it challenges them to actively participate in a shared struggle for truth, justice, and freedom. It is a space where creativity, resistance, and learning come together, creating a collective action that transcends traditional theater methods. In a world where our voices are often silenced, Mushtabik stands as a defiant act of artistic resistance. It is a declaration: We are not just telling stories, we are creating new possibilities for the future.

Three compositions between the sky and the earth, fate is a black dot.
What I feel isn't very important, what is expected isn't very important either.
What albums I should make that’s also not very important.
I don't know what's important and what's not, and I don't want to know.
All I know is that there's something black.
It's not pessimism, depression, or a difficult psychological state that seeks sympathy; this is the definition of "Black" the album

What is the curse? What is its source? And who are the cursed ones? How does the curse transfer from womb to womb? All of this happens on one land, under one sky, as they move from shock to acceptance, from acceptance to confrontation, until survival.

The album "Checkpoint" features four tracks that blend music with familiar lyrics and new words that reflect our Palestinian reality. We hear the voice of Mazhar Al-Nawab in one track, with Yemeni poetry from a poem about the Red Sea, and the voice of Ziad Rahbani discussing the Arab reality. And the friend Mutasem Abu Al-Hasan in a track titled "Checkpoint Closure .